| Aktuellt | ||
| Medlemmar | ||
| Arkiv | ||
| Maria Andersson works as an artist and her practice is concentrated around the meaning of place. How places are constructed and how they both are a result of - as well as influencing - our social behaviour. Her methods could be called spatial de-coding, and the result an infiltration. She investigates how it is possible to use the embodied language of a site to tell its story. | ||
| Ninna Berger is a designer/artist working with fashion and textiles as material. All work is based on re-purposing discarded textiles and rejected clothing and is manifested in the project Restructional Clothing. Contributing to the concept is text in short story form where the plot is set in different clothing contexts. Ninna is currently working on a collection of clothing collages. | ||
| Jenny Bergström is a designer and researcher currently based in London and Stockholm. Since graduating in 2007 Jenny has been working at the Design Research Unit at the Interactive Institute. In her work Jenny investigates how design can both be inspired and fundamentally improved by incorporating methods from fields such as crafts, science, writing and fine arts. | ||
| Kira Carpelan är konstnär och arbetar huvudsakligen med video och text. Hon intresserar sig för funktioner hos identitetsskapande bilder och arbetar för närvarande med stereotypa karaktärsframställningar i spelfilm.// is an artist mainly working with video and text. She is interested in funcions of identity shaping images, currently working with stereotypical characterizations in feature films. | ||
| Klara Persson is a product designer who is currently occupied with textile design and illustration. Her practice is focused on the surface as a medium for communication and narration. Surface as on top, like skin or cover. Klara is especially interested in material construction, repeated patterns and grafic novels. And yes, chaos brings clarity. | ||
| Eva Wilsson är grafisk formgivare med tonvikt på typografi. Hon formger frimärken, logotyper, grafiska profiler och böcker. Parallellt med detta utvecklar hon det egna typsnittet Mido. Eva är speciellt intresserad av retorik, 1800-talets typografi, artists books och typografiska experiment i romaner. | ||